When the wildfires exploded in Southern California, comparisons to a war zone raced through newsfeeds almost as quickly as the flames tore through the hills.

If this is a war, then it is the kind of war that, as writer Kathryn Schulz put it, “we lose even when we win.” If wildfire is the enemy, then it is unbeatable. And if firefighters are soldiers, they are seriously overmatched. 

Baker River Hotshots crew members practice digging a handline during their two-week critical training period prior to the 2023 fire season. Every Interagency Hotshot Crew undergoes a two-week “Critical,” which typically consists of strenuous all-crew hikes and workouts, classroom trainings on suppression tactics, various leadership and team-building exercises, and multiple field days spent constructing fireline and undergoing mock fireline scenarios. Criticals are as much about building trust and familiarity between crew members as they are about refreshing technical skills. Credit: Riley Yuan

Yes, some wildfires — including the ones that ripped through Los Angeles and still threaten it today — will always have to be fought. But the bigger picture remains unchanged: We cannot win a war against nature.

A more accurate and sustainable wildfire narrative exists, however. I experienced it firsthand during the 2022 and 2023 fire seasons as a crewmember with the Stanislaus and Baker River Hotshots. It is as compelling as any war story, but far more nuanced than the classic adversarial framing.

It is based on a simple truth about much of the Western landscape: Fire is as necessary as it is inevitable. Even suppressing a fire often requires setting more fires in order to corral the primary target. But doing so takes skill rather than brute force — artistry rather than enmity. 

Smoke fills the air during a burnout operation on the Flat Fire in Oregon’s Rogue River-Siskiyou National Forest. Credit: Riley Yuan

Wildland fire isn’t a war. It’s a craft, albeit a mentally and physically grueling one.

Hotshot crews typically log over a thousand hours of overtime in a six-month fire season, and it takes at least several seasons to acquire the experience and situational awareness that makes a firefighter effective. Out on the line, we called it being “dialed.” Even the least experienced among us are forced to become more dialed than we’ve ever been before.

Baker River Hotshots crew members Ty Ruijters, Jack Ramsay and Ian McGinnis hike a section of fireline on the Shellrock Fire in Oregon’s Mount Hood National Forest. Credit: Riley Yuan

It’s true that soldiers also have to be dialed within their operational environments. But the comparison should end there. Our end goals aren’t the same. We shouldn’t have to send firefighters into battle in order to find them inspiring; excellence and commitment to craft, divorced from any concept of conquest or violence, are dramatic enough.

Wildland fire isn’t a war. It’s a craft, albeit a mentally and physically grueling one.

Senior firefighters and sawyers with the Baker River Hotshots, Ben Pratt (front) and Ty Ruijters, watch from a distance as a helicopter makes bucket drops on the Pembina Complex, south of Edson, Alberta. Credit: Riley Yuan

See, part of what makes the war metaphor so nefarious is that it lets society off the hook, allowing it to substitute lip service for genuine support and recognition. It encourages people to call us heroes and thank us for our service even as we’re categorized — and paid — as unskilled labor.

Today, the base pay of an entry-level federal wildland firefighter starts at $15 per hour, temporarily up from $13 thanks to the Bipartisan Infrastructure law. And even if Congress finally acts to make that pay raise permanent, it is still a paltry starting point.

Baker River Hotshots Captain Tim Judd surveys a burnout operation conducted by the rest of the crew from his lookout position on the Flat Fire. Lookout duty, while slow at times, is a critical fireline function, usually entrusted to experienced firefighters. Lookouts take measurements of weather conditions and relay observations of terrain features and fire behavior that are sometimes imperceptible to firefighters on the ground. Credit: Riley Yuan
Baker River Hotshots crew members Emma Rosenfield, Lance Barajas and Ty Ruijters mop up hot spots following a prescribed burn in Washington’s Okanogan-Wenatchee National Forest. There are just over 100 Interagency Hotshot Crews in the U.S., with a majority based in the Western United States. Each one is a tight-knit, highly trained group of 20-25 firefighters — a family of sorts, with its own history, culture and traditions. Credit: Riley Yuan

If we understood that depriving a landscape of healthy fire is as dangerous as depriving our bodies of nutrients and rest, we would pay wildland firefighters like doctors and give their choice to go train and work in the woods all the respect it deserves. 

There is no future without fire, and no future in which federal wildland firefighters are not its indispensable stewards.

It is time we brought both our policies and our stories into alignment with this fact.

The Stanislaus Hotshots take a break while working the Fairview Fire in Riverside County, California. Much of Southern California had been experiencing severe drought and heatwaves during the weeks leading up to the blaze, which tore through chaparral-laden canyons and exploded from 20 to 2,700 acres in seven hours. Credit: Riley Yuan
Stanislaus Hotshots crew member Nate Schurawel poses for a portrait while fighting the Fairview Fire in Riverside County, California. Credit: Riley Yuan
Baker River Hotshots crew member Keith Kaneshiro wields a drip torch while conducting a burnout operation on the Flat Fire on Oregon’s Rogue River-Siskiyou National Forest. Credit: Riley Yuan
The southern edge of the Buffalo Pasture Fire’s burn scar, as seen from granite bluffs overlooking Little Bull Elk Canyon on the Crow Reservation. Fire crews used each of the rockfaces seen in this photograph as anchor points for a handline — a two to three-foot wide swath dug down to mineral soil. Credit: Riley Yuan

Note: This story was updated to correct the location of some of the prescribed burn operations in the photos.

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Riley Yuan is a Chinese-American writer and photographer, and one of six inaugural Murrow News Fellows placed in local newsrooms around Washington state. Prior to becoming a journalist, Riley fought wildfires with the Stanislaus and Baker River Hotshots, served as a Peace Corps volunteer in West Timor, Indonesia, and taught high school English in Hawaii and Vermont.